From the Bandcamp biography:
Dirty Nice is Don’t Hug Me I’m Scared composer Charlie Pelling’s musical project, with Lisbon based musician Mark Thompson. Pelling is fast becoming the go to composer in the UK comedy scene…
Like Best Friends is their new and, to-date, best single.
Madhouse Multitool Breakout, one of the records of 2023, was a delicious foretaste of the Danish band’s second LP, No Shame No Fame.
This two-minute track opens the new record as all records should be opened, while the almost-ten-minute Easter and the Boys closes it in precisely the same way.
A slight change of direction from the Spanish duo on this new single, less punky but retaining their ear for a decent tune.
Surely one of the top 10 records of the year, albeit the year was 2022. Overlooked by us then, so make up for lost time by putting it on repeat…
Witching Waves’ latest, Streams and Waterways, is their best LP to date and peaks with this gem.
Music’s most famous Blackburn Rovers supporter, still making synth pop of the highest order and bundling his new single with his finest tracks of yesteryear — the inimitable Living on the Ceiling and the supreme cover of Abba’s The Day Before You Came.
Almost two songs in one, really taking off when the mood changes on this, the third track on Varsity’s latest LP, Souvenirs.
Antoine de Caunes, After Dark and Gerard Depardieu films…
From the Melbourne band’s second LP, Essential Tremors, and evidence that I am, occasionally, wrong.
EggS’s debut LP, A Glitter Year, takes a while to get into its stride but when it does its unique mix of folk, Celtic rock and god-knows-what-else shines brightest on this track.
Greatest Hits EP from another excellent band on Prefect Records — which leaves us with just one question: is it “eggs” or “egg S”?
Heard on the Wire 